Angler – For Strings, Slide Whistle and Percussion [2018] [3′ ½]
strings: 7.2.2.2 – 2 perc (6 players): (1) vibraphone, marktree, bass drum, 3 woodblocks, tam-tam, crotales | (2) ocean-drum, waterphone, triangle, 4 crystal glasses, rainstick
premiere: Iwaki Auditorium [2019] and Elizabeth Murdoch Hall, Melbourne Recital Centre [2019]
Unity – for Percussion Duet [2019] [10′-20′] for Speak Percussion
Ian Potter Centre for the Performing Arts – July 2019
Gong Chamber [15 gongs of various sizes], Waterphone [Medium], Wooden-Waterfall chimes, 2 Cymbals [suspended and chinese], Vibraphone, Thundersheet [small], 2 Slide Whistles, Timpani [prepared with small rocks]
premiere: 2019 TENOR Conference, Monash University – Clayton, Speak Percussion [2019]
Lost is a Place Too… – for improvising ensemble [2020] for Ensemble Onsombl – withdrawn
premiere: Zoom livestream, by Enszemble Onzsombl, June 14th 2020 (Sydney)
starling sandbox – for solo piccolo [2020] for Salvatore Sciarrino [4′ – 5′]
strings to the heart – for 13-string koto [2020] in memoriam Peter Sculthorpe [5′] – withdrawn
proximity to the light… – for solo Guitar [2020] for Ken Murray [3′ ½]
manufacturers: things that are made to be broken – structured improvisation [2020]
premiere: TBC – London, 2021/22
understated matter – for solo Double-Bell Horn [2020] for Christine Chapman and Ensemble MusikFabrik, Cologne [under revision – 2021]
premiere – July, 2020 – Christine Chapman, Ensemble MusikFabrik
her dark muses – for interwoven vocal trio [2020] for EXAUDI Voices [6′]
- the nightingale – for solo soprano
- shapely shimmers – for solo alto/countertenor
- diadem – for solo baritone
- her dark muses – for vocal trio
premiere: TBC – 2022
incubation – for solo Clarinet D’amore (2020) for Richard Haynes [13′ ½]
premiere: Bern, Switzerland; October 23rd 2020
recorded on CD ‘ghosts of motion‘ – Richard Haynes and Cubus Records [Switzerland]
slope (i) – for solo Countertenor (2020) [4′]
droop, a children’s piece – for Narrator and Basset Horn (2020) for Sarah Watts and Jon Iles [2′ – 3′]
premiere: February – 2021, Sarah Watts & John Iles (Digital Premiere)
fabric – for solo Prepared Piano [2020] for Kathleen Supové [4′]
premiere: TBC – 2021
waiting – for Voice and Mixed Quartet (2020-21) for Ensemble Zeitstoff and Deutsche Musikwettbewerb, 2021 [from the elephant in blue cycle]
- stillness – Voice + Trio: Tuba, Percussion, Prepared Piano (2020)
- (transfixed) – solo Alto Saxophone (2020) for Alex Prill
- wrath – Voice + Quartet: Alto Sax, Tuba, Percussion, Prepared Piano (2020-21)
- disdain – Voice + Percussion (2021) for Marijana and Dennis
premiere: March, 2021 – excerpt in Digital Concert alongside music by John Cage
EMILYLIME – for solo Ultra-Soprano (2020-21) for Emily Thorner [2′]
premiere: TBC – early 2021
constrict – for solo Contrabassoon (2021) [5′]
… an intermittent breath … – for solo Accordion (2021) for Ghenadie Rotari [2′] from Quarantine Diaries Project
premiere: Quarantine Diaries concert, 7th of February – 2021, Tierto
eve (i) – for solo Mezzo-Soprano (2020, rev. 2021) [8′]
premiere: April 17, 2021 Sydney Conservatorium of Music ~ Vestige – Kammerklang, Anna Fraser/Jack Symonds, Sydney
echophemera – for solo Double Bass, for James Denner (2021) [3′]
premiere: TBA – 2021, UK/Germany
ergo – for solo Viola (2021) [6′ – 7′] for Phoebe Green
premiere: Melbourne, Australia – 2021 [TBC]
mute game – for Voice + Percussion (2021) [3′ – 4′] text: René Char
premiere: Hanson Dyer Hall (IPC, Melbourne Conservatorium), Australia – May 12 2021, Sean Quinn & Aditya Bhat
glint – for solo Crotales (2021) [2′ 30″] for Luis Azcona
premiere: Hochschule der Künste Bern, Switzerland – April 30, 2021, Luis Azcona
emerging from beneath it… – for solo Violoncello (2021) [6′ – 7′]
premiere: TBA
the inane beauty of its surface (I) – for solo Soprano (2021) [4′ – 5′] for Tony Arnold and NMoP Festival
premiere: New Music on the Point Festival, Vermont (USA) – June 2021, Tony Arnold
where are you now? – for solo Soprano (2021) [5′] for Amber Evans
recompense – for solo Trumpet (2021) [6′ – 7′] commissioned by Tobi Kreiger
premiere: Karlsruhe, Germany – 30th April 2022, Tobias Kriger
suspicious matter – for solo Double-Bell Trumpet (2021) [8′] for Nathan Plante
premiere: TBD – Potsdam, Fall 2021 (Nathan Plante)
the shadow of the heart is found beneath the… – for solo Baritone (2021) [5′] for Tyler Bouque
(i) from the shadow of the heart triptych
memory; of fallen snow… – for Baritone + Bassoon (2021) [7′]
text by James Joyce from ‘Dubliners’ – material extracted and expanded from work snow for Baritone + spatialised quintet (2021)
snow – for Baritone + spatialised Quintet (2021) [13′] for Melbourne Conservatorium of Music
premiere: Ian Potter Southbank Centre, Melbourne – September 29, 2021 (Sean Quinn & University of Melbourne Students)
eyes | open series
tint:lens – for solo B♭ Clarinet (2020/21) [6′] for Szilard Benes and Átlátszó Hang Újzenei Fesztivál
premiere: Transparent Sound Festival, Budapest (HU) – September/October 2021, Szilard Benes
blind souls – for solo Bassoon (2020-21) [9′ – 10′] for James Aylward
the air’s embrace – for Bassoon duo (2021) for Stephanie and Jack [4′]
premiere: TBC, Melbourne (AUS)
vulnerable visions – for Bassoon + Percussion (2021) for Cristian Coliver [8′]
premiere: TBC, Spain 2021/22 and California 2021/22 – Cristian Coliver and Jon Stehney
more in Future Projects
Select scores are available at BabelScores. Others, feel free to contact me.
