List of Works

2019

Unity – for Percussion Duet [2019] [10′ – 20′] for Speak Percussion

Premiere Performance of Unity by Speak Percussion at Monash University,
Ian Potter Centre for the Performing Arts – July 2019

premiere: 2019 TENOR Conference, Monash University – Clayton, Speak Percussion [2019]

2020

starling sandbox – for solo piccolo [2020] for Salvatore Sciarrino [4′ – 5′]

Recording of starling sandbox – performed by composer

manufacturers: things that are made to be broken – structured improvisation [2020]

premiere: TBC – London, 2021/22

understated matter – for solo Double-Bell Horn [2020] for Christine Chapman and Ensemble MusikFabrik, Cologne under revision

premiere – July, 2020 – Christine Chapman, Ensemble MusikFabrik

incubation – for solo Clarinet D’amore (2020) for Richard Haynes [13′ ½]

premiere: Bern, Switzerland; October 23rd 2020

recorded on CD ‘ghosts of motion‘ – Richard Haynes and Cubus Records [Switzerland]

droop, a children’s piece – for Narrator and Basset Horn/Bass Clarinet (2020) for Sarah Watts and Jon Iles [2′ – 3′]

premiere: February – 2021, Sarah Watts & John Iles (Digital Premiere)
recorded: Feed the Hound – released on Cuillin Sound Music Label, June 18 2021 (Basset Horn | Sarah Watts, Narration | John Isles)

waiting – for Voice and Mixed Quartet (2020-21) for Ensemble Zeitstoff and Deutsche Musikwettbewerb, 2021 [from the elephant in blue cycle]

  1. stillness – Voice + Trio: Tuba, Percussion, Prepared Piano (2020)
    • (transfixed) – solo Alto Saxophone (2020) for Alex Prill
  2. wrath – Voice + Quartet: Alto Sax, Tuba, Percussion, Prepared Piano (2020-21)
  3. disdain – Voice + Percussion (2021) for Marijana and Dennis

premiere: March 2021 – excerpt in Digital Concert alongside music by John Cage

2021

… an intermittent breath … – for solo Accordion (2021) for Ghenadie Rotari [2′] from Quarantine Diaries Project

premiere: Quarantine Diaries concert, 7th of February – 2021, Tierto

eve (i) – for solo Mezzo-Soprano (2020, rev. 2021) [8′]

premiere: April 17, 2021 Sydney Conservatorium of Music ~ Vestige – Kammerklang, Anna Fraser/Jack Symonds, Sydney

echophemera – for solo Double Bass (2021) [3′] under reconstruction
opening scene from EXO (2022-23)

premiere: TBC, tour/Europe wider – Rebecca Lawrence

ergo – for solo Viola (2021) [6′ – 7′] for Phoebe Green

premiere: Tempo Rubato, Brunswick (Melbourne), Australia – December 8 2022, Phoebe Green

mute game – for Voice + Percussion (2021) [3′ – 4′] text: René Char

premiere: Hanson Dyer Hall (IPC, Melbourne Conservatorium), Australia – May 12 2021, Sean Quinn & Aditya Bhat

glint – for solo Crotales (2021) [2′ 30″] for Luis Azcona

premiere: Hochschule der Künste Bern, Switzerland – April 30, 2021, Luis Azcona

emergences from beneath it… – for solo Violoncello (2021) [6′ – 7′]

premiere: TBA

the inane beauty of its surface – for solo Soprano (2021) [4′ – 5′] for Tony Arnold and NMoP Festival [under revision]

premiere: New Music on the Point Festival, Vermont (USA) – June 2021, Tony Arnold

recompense – for solo Trumpet (2021) [6′ – 7′] commissioned by Tobi Kreiger

premiere: Karlsruhe, Germany – 30th April 2022, Tobias Kriger

repent – for solo trumpet (2021) [45″] excerpt from recompense

suspicious matter – for solo Double-Bell Trumpet (2021) [8′] for Nathan Plante (pending)

premiere: TBD 2023, Berlin (DE) – Nathan Plante
US premiere: TBD 2023, West-Coast (US) – David Aguila (tbd)

wrath – for Voice and Mixed Quartet (2021)
excerpt from ‘waiting’ (2021)

premiere: Deutsche Musikwettbewerb at Hochschule für Musik Freiburg, August 6-12, Ensemble Zeitstoff

with/out – for Pierrot + Percussion (2021) commissioned by Impulse New Music Festival, Los Angeles – Funds from the ‘Brightwork Fellowship’ [withdrawn]

premiere: Impulse New Music Festival 2021, Los Angeles – August 21st, Brightwork Ensemble

the brutal tongue – for two Sopranos (2021) [15′]

premiere: under revision

a hidden figure – for solo Bassoon (2021) [3′ – 4′] for Hannah Hunt

premiere: 15 November, 2021 – Recorded Performance (Melbourne)

all is done – for coloratura Soprano & Soprano Saxophone (2021) [4′ – 5′]
excerpt from Scene 3: of stale silences of opera moths (2021-23)

premiere: TBD

eve (ii) – for Soprano, amplified Crotales & Tape (2021) [5′ – 7′]
excerpt from Scene 4: Unseen to Unsound of opera moths (2021-23)

premiere: TBD

here it lays – for Baritone and Bass Clarinet (2021) [8′ – 9′]
Scene 3: here it lays from tree tongue time traveler

premiere: TBD

destination unknown – for Bass Clarinet duet (2021) [12′]
from .. of mind without mind of .. (Cantata)

premiere: TBD

2022

anti-vista – for solo Viola (2022) [2.5′ – 3′] for Phoebe Green
from .. of mind without mind of .. (Cantata)

chamber of meteorology – for Clarinet, Violin, Violoncello & Piano (2022) [5′ – 7′] commissioned as part of the Persistence Festival for Collide-O-Scope New Music, and workshopped at the Juilliard School

premiere: November 2022, New York City (USA) – Collide-O-Scope

participants in silence’s deafening – for Bass Clarinet & Double Bass (2022) [6′]
for Natasha Fearnside and Sam Anning

premiere: TBD, Melbourne (AUS)

anti-vista – adaption, for solo violoncello (2022) [2.5′ – 3′] for Robbie
from .. of mind without mind of .. (Cantata)

lunaesthesia – for Soprano and Grand Piano (2022) [7′] for April Martin and Evan Fein
aria from the vying moon chamber opera (2022-)

premiere: 26 April 2022, Julliard (NYC/US) – April Martin and Evan Fein [recording]

lust; luminosity – for solo Violin (2022) [3′]

premiere: TBD

on the brink of settling – for solo Violin (2022) [90″]

(un)becoming – for solo E♭ clarinet (2022) [1′ – 2′]

recording: TBD, Thun (Switzerland) – Richard Haynes

under veils of breath – for solo Bass Flute (2022) [6′ – 7′] for Rebecca Blau
from EXO (2020-23)

premiere: TBD – Rebecca Blau


Select scores are available at BabelScores. Others, feel free to contact me.

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