Unity – for Percussion Duet [2019] [10′ – 20′] for Speak Percussion
Ian Potter Centre for the Performing Arts – July 2019
Gong Chamber [15 gongs of various sizes], Waterphone [Medium], Wooden-Waterfall chimes, 2 Cymbals [suspended and chinese], Vibraphone, Thundersheet [small], 2 Slide Whistles, Timpani [prepared with small rocks]
premiere: 2019 TENOR Conference, Monash University – Clayton, Speak Percussion [2019]
starling sandbox – for solo piccolo [2020] for Salvatore Sciarrino [4′ – 5′]
manufacturers: things that are made to be broken – structured improvisation [2020]
premiere: TBC – London, 2021/22
understated matter – for solo Double-Bell Horn [2020] for Christine Chapman and Ensemble MusikFabrik, Cologne – under revision
premiere – July, 2020 – Christine Chapman, Ensemble MusikFabrik
her dark muses – for interwoven vocal trio [2020] for EXAUDI Voices [6′]
- the nightingale – for solo soprano
- shapely shimmers – for solo alto/countertenor
- diadem – for solo baritone
- her dark muses – for vocal trio
premiere: TBC – 2022
incubation – for solo Clarinet D’amore (2020) for Richard Haynes [13′ ½]
premiere: Bern, Switzerland; October 23rd 2020
recorded on CD ‘ghosts of motion‘ – Richard Haynes and Cubus Records [Switzerland]
slope (i) – for solo Countertenor (2020) [4′]
droop, a children’s piece – for Narrator and Basset Horn (2020) for Sarah Watts and Jon Iles [2′ – 3′]
premiere: February – 2021, Sarah Watts & John Iles (Digital Premiere)
recorded: Feed the Hound – released on Cuillin Sound Music Label, June 18 2021 (Basset Horn | Sarah Watts, Narration | John Isles)
fabric – for solo Prepared Piano [2020] for Kathleen Supové [4′]
premiere: TBC – 2021
waiting – for Voice and Mixed Quartet (2020-21) for Ensemble Zeitstoff and Deutsche Musikwettbewerb, 2021 [from the elephant in blue cycle]
- stillness – Voice + Trio: Tuba, Percussion, Prepared Piano (2020)
- (transfixed) – solo Alto Saxophone (2020) for Alex Prill
- wrath – Voice + Quartet: Alto Sax, Tuba, Percussion, Prepared Piano (2020-21)
- disdain – Voice + Percussion (2021) for Marijana and Dennis
premiere: March, 2021 – excerpt in Digital Concert alongside music by John Cage
EMILYLIME – for solo Ultra-Soprano (2020-21) for Emily Thorner [2′]
premiere: TBC – early 2021
… an intermittent breath … – for solo Accordion (2021) for Ghenadie Rotari [2′] from Quarantine Diaries Project
premiere: Quarantine Diaries concert, 7th of February – 2021, Tierto
eve (i) – for solo Mezzo-Soprano (2020, rev. 2021) [8′]
premiere: April 17, 2021 Sydney Conservatorium of Music ~ Vestige – Kammerklang, Anna Fraser/Jack Symonds, Sydney
echophemera – for solo Double Bass, for James Denner (2021) [3′]
premiere: TBA – 2021, UK/Germany
ergo – for solo Viola (2021) [6′ – 7′] for Phoebe Green – under revision
premiere: Melbourne, Australia – 2021 [TBC]
mute game – for Voice + Percussion (2021) [3′ – 4′] text: René Char
premiere: Hanson Dyer Hall (IPC, Melbourne Conservatorium), Australia – May 12 2021, Sean Quinn & Aditya Bhat
glint – for solo Crotales (2021) [2′ 30″] for Luis Azcona
premiere: Hochschule der Künste Bern, Switzerland – April 30, 2021, Luis Azcona
emergences from beneath it… – for solo Violoncello (2021) [6′ – 7′]
premiere: TBA
the inane beauty of its surface (I) – for solo Soprano (2021) [4′ – 5′] for Tony Arnold and NMoP Festival
premiere: New Music on the Point Festival, Vermont (USA) – June 2021, Tony Arnold
recompense – for solo Trumpet (2021) [6′ – 7′] commissioned by Tobi Kreiger
premiere: Karlsruhe, Germany – 30th April 2022, Tobias Kriger
suspicious matter – for solo Double-Bell Trumpet (2021) [8′] for Nathan Plante
premiere: TBD – Potsdam, Fall 2021 (Nathan Plante)
the shadow of the heart is found beneath the… – for solo Baritone (2021) [5′] for Tyler Bouque
(i) from the shadow of the heart trilogy
memory; of fallen snow… – for Baritone + Bassoon (2021) [7′]
text by James Joyce from ‘Dubliners’ – material extracted and expanded from work snow for Baritone + spatialised quintet (2021)
snow – for Baritone + spatialised Quintet (2021) [13′] for Melbourne Conservatorium of Music
premiere: TBD
wrath – for Voice and Mixed Quartet (2021) excerpt from ‘waiting’ (2021)
premiere: Deutsche Musikwettbewerb at Hochschule für Musik Freiburg, August 6-12, Ensemble Zeitstoff
with/out – for Pierrot + Percussion (2021) commissioned by Impulse New Music Festival, Los Angeles – Funds from the ‘Brightwork Fellowship’
premiere: Impulse New Music Festival 2021, Los Angeles – August 21st, Brightwork Ensemble
Australian premiere: Syzygy Ensemble – September/October, 2021
aurae – for solo Bass Clarinet (2021)
the brutal tongue – for two Sopranos (2021) for Peridot Duo
premiere: 2022, TBC – Peridot Duo, Boston
jitter – for solo Viola (2021) miniature extract from ergo; therefore i am
eyes | open series
tint:lens – for solo B♭ Clarinet (2020/21) [6′] for Szilard Benes and Átlátszó Hang Újzenei Fesztivál
premiere: Transparent Sound Festival, Budapest (HU) – September/October 2021, Szilard Benes
blind souls – for solo Bassoon (2020-21) [9′ – 10′] for James Aylward – under revision
the air’s embrace – for Bassoon duo (2021) for Stephanie and Jack [4′]
premiere: TBC, Melbourne (AUS)
vulnerable visions – for Bassoon + Percussion (2021) for Cristian Coliver [8′]
premiere: TBC, Spain 2021/22 and California 2021/22 – Cristian Coliver and Jon Stehney
more in Future Projects
Select scores are available at BabelScores. Others, feel free to contact me.
