2019
Unity – for Percussion Duet [2019] [10′ – 20′] for Speak Percussion
Ian Potter Centre for the Performing Arts – July 2019
premiere: 2019 TENOR Conference, Monash University – Clayton, Speak Percussion [2019]
2020
starling sandbox – for solo piccolo [2020] for Salvatore Sciarrino [4′ – 5′]
manufacturers: things that are made to be broken – structured improvisation [2020]
premiere: TBC – London, 2021/22
understated matter – for solo Double-Bell Horn [2020] for Christine Chapman and Ensemble MusikFabrik, Cologne – under revision
premiere – July, 2020 – Christine Chapman, Ensemble MusikFabrik
incubation – for solo Clarinet D’amore (2020) for Richard Haynes [13′ ½]
premiere: Bern, Switzerland; October 23rd 2020
recorded on CD ‘ghosts of motion‘ – Richard Haynes and Cubus Records [Switzerland]
droop, a children’s piece – for Narrator and Basset Horn/Bass Clarinet (2020) for Sarah Watts and Jon Iles [2′ – 3′]
premiere: February – 2021, Sarah Watts & John Iles (Digital Premiere)
recorded: Feed the Hound – released on Cuillin Sound Music Label, June 18 2021 (Basset Horn | Sarah Watts, Narration | John Isles)
waiting – for Voice and Mixed Quartet (2020-21) for Ensemble Zeitstoff and Deutsche Musikwettbewerb, 2021 [from the elephant in blue cycle]
- stillness – Voice + Trio: Tuba, Percussion, Prepared Piano (2020)
- (transfixed) – solo Alto Saxophone (2020) for Alex Prill
- wrath – Voice + Quartet: Alto Sax, Tuba, Percussion, Prepared Piano (2020-21)
- disdain – Voice + Percussion (2021) for Marijana and Dennis
premiere: March 2021 – excerpt in Digital Concert alongside music by John Cage
2021
… an intermittent breath … – for solo Accordion (2021) for Ghenadie Rotari [2′] from Quarantine Diaries Project
premiere: Quarantine Diaries concert, 7th of February – 2021, Tierto
eve (i) – for solo Mezzo-Soprano (2020, rev. 2021) [8′]
premiere: April 17, 2021 Sydney Conservatorium of Music ~ Vestige – Kammerklang, Anna Fraser/Jack Symonds, Sydney
echophemera – for solo Double Bass (2021) [3′] under re-construction
opening scene from EXO (2022-23)
premiere: TBC, tour/Europe wider – Rebecca Lawrence
glint – for solo Crotales (2021) [2′ 30″] for Luis Azcona
premiere: Hochschule der Künste Bern, Switzerland – April 30, 2021, Luis Azcona
AU premiere: TBD, Melbourne – 2023, Aditya Bhat
the inane beauty of its surface – for solo Soprano (2021) [4′ – 5′] for Tony Arnold and NMoP Festival [under revision]
from EXO
premiere: New Music on the Point Festival, Vermont (USA) – June 2021, Tony Arnold
recompense – for solo Trumpet (2021) [6′ – 7′] commissioned by Tobi Kreiger
premiere: TBD – Frankfurt, Germany – Tobias Kriger
repent – for solo trumpet (2021) [45″] excerpt from recompense
suspicious matter – for solo Double-Bell Trumpet (2021) [8′] for Nathan Plante (pending)
premiere: TBD 2023, Berlin (DE) – Nathan Plante
US premiere: TBD 2023, West-Coast (US) – David Aguila (tbd)
wrath – for Voice and Mixed Quartet (2021)
excerpt from ‘waiting’ (2021)
premiere: Deutsche Musikwettbewerb at Hochschule für Musik Freiburg, August 6-12, Ensemble Zeitstoff
the brutal tongue – for two Sopranos (2021) [15′]
premiere: TBD
a hidden figure – for solo Bassoon (2021) [3′ – 4′] for Hannah Hunt
premiere: 15 November, 2021 – Recorded Performance (Melbourne)
all is done – for coloratura Soprano & Soprano Saxophone (2021) [4′ – 5′]
excerpt from Scene 3: of stale silences of opera moths (2021-23)
premiere: TBD
eve (ii) – for Soprano, amplified Crotales & Tape (2021) [5′ – 7′]
excerpt from Scene 4: Unseen to Unsound of opera moths (2021-23)
premiere: TBD
here it lays – for Baritone and Bass Clarinet (2021) [8′ – 9′]
Scene 3: here it lays from tree tongue time traveler
premiere: TBD
destination unknown – for Bass Clarinet duet (2021) [12′] – under revision
from .. of mind without mind of .. (Cantata)
premiere: TBD
2022
chamber of meteorology – for Clarinet, Violin, Violoncello & Piano (2022) [5′ – 7′] workshopped at the Juilliard School
participants in silence’s deafening – for Bass Clarinet & Double Bass (2022) [6′]
for Natasha Fearnside and Sam Anning
premiere: TBD 2023, Melbourne (AUS)
lunaesthesia – for Soprano and Grand Piano (2022) [7′] for April Martin and Evan Fein
premiere: 26 April 2022, Julliard (NYC/US) – April Martin and Evan Fein [recording]
invitation – for solo Clarinet D’amore (2020/22) [2′ – 3′] for R.H
excerpt from incubation
(un)becoming – for solo E♭ clarinet (2022) [1′ – 2′]
recording: TBD, Thun (Switzerland) – Richard Haynes
under veils of breath – for solo Bass Flute (2022) [6′ – 7′] for Rebecca Blau
from EXO (2020-23)
premiere: TBD – Rebecca Blau
a hollow heart’s temptation – for Flute, Bass Clarinet, Percussion, Harp & Violoncello (2022) [9′ – 11′] for Ensemble Offspring, commissioned as part of the Hatched Composer Intensive
premiere: January 2023 tbd, Sydney (Australia) – Ensemble Offspring, Sydney Conservatorium of Music
ergo, therefore i am – for solo Viola (2021-22) [8′] for Phoebe Green
premiere: December 8 2022, Tempo Rubato: ‘Phoebe Green & Ben Opie’, Brunswick (Melbourne), Australia – Phoebe Green
hunger in waiting – for solo Bassoon (2021/22) [5′ – 6′] for .abeceda
premiere: December 3rd
Select scores are available at BabelScores. Others, feel free to contact me.