FUTURE PROJECTS

This page is dedicated to the upcoming projects and works that are incoming in the next year or two!


Stand Alone Collaborations [2020 onwards]

surmised quietitude – for solo Clarinet, for Marlēné Radice [Canberra] (2020-21)

Autumn – for Saxophone Quartet, for Olinda Quartet [Sydney] (2020-21)

ancient pond, sleeping… – for solo Flute and Electronics, for Gavin Stewart [UK] (2020-21)

heart of the earth – micro-triptych for Wind Band, for Cranbourne Lions [Melbourne] (2020-21)

New Work – for solo Flute, for Derek Jones [Melbourne] (2020-21) for Flute Perspectives 3 CD

New Work – for Flute, Clarinet and Fixed-Media, for Apply Triangle [New York] (2020-21)

the dark line where the eye persists in seeing – for Pierrot Ensemble, for Collide-O-scope Contemporary Music Ensemble [New York] (2021)

New Work – for solo Bassoon, for James Aylward [Netherlands] (2020-21)

RadioPlay – for 8 voices, for Divisi Chamber Singers [Melbourne] (2020-21)

New Work – for solo Piano, for Danae Killian [Melbourne] (2021)

New Work – for solo Tubax, for Samuel Dong [Sydney] (2020-21)

New Workfor Voice and Alto Saxophone, for there is no air in space [Europe] (2020-)

katija – monodrama, for solo vocalist, electronics and set [in development] for Kelsey Cotton [Europe] (2021-)

First Opera [in development]


Cycles [2019/20 onwards]

HALO [2019-] ~ [in development]

  1. formidable dialogues – for solo Double Bass [for Will Yager] (2020-21)
  2. DreamSongs – for solo Harp [for Sam Ramirez] (2020)
  3. HALO – for Prepared Harp, Double Bass and Electronics (2021)
  4. the meteorological garden – triptych for Large Orchestra (2021-)
    1. cold light – desert wind [20′]
    2. anticyclone/stratus-cloud [15′]
    3. moonlight [12′]
  5. New Work – for Tuba and Prepared Harp [for Sam Ramirez and Sean Burke] (2021-) [10′]
  6. New Work – for solo Horn (2021)

laboratory of mysterious elements (workshop of an esoterist) [2020-] ~ [in development]

  1. acid, the corroded mind – for solo Bass Clarinet [for Szilárd Benes] (2020-21)
  2. zinc, contained arousal – for Cor Anglais, Trombone and Percussion (2022)
  3. lead, enforcing surrender – for mixed septet: Flute, Tenor Saxophone, Trombone, Violin, Violoncello, Electric Guitar, Percussion (2020-2021)
  4. carbon, the silent death – for solo Viola (2021)

interior [2020-] ~ [in development]

  1. interior/iridescence for solo Violin (2020-) [under revision]
  2. interior/mindplay – for Ensemble and 6-Channel Electronics [for Forest Collective] (2021-)
  3. interior/extrasensory – for solo Flute [for Ine Vanoeveren] (2020-21)
  4. interior/exterior – for fixed media (2020-)

Terminus [2019-] ~ [in development]

  1. air-metal-murmur – for solo Trombone (2020-)
  2. the quiet of silence – for double-bell Brass Quartet (2021)
  3. Afterlife/Resurrectionfor Double-Bell Trombone and Percussion (2020-21)
  4. Terminus – for Double-Bell Brass Quartet and Ensemble (2021-22)
  5. youth and trial – for solo Double-Bell Trumpet (2020-21)
  6. as we close their eyes – for Double-Bell Horn and Double-Bell Euphonium (2022)

The Alcoholic’s Graveyard [2020-] ~ a percussion cycle

  1. timbrations – for Bass Drum; two players and objects (2020-21)
  2. The Alcoholic’s Graveyard – for Community Ensemble, Percussion Quartet and Electronics (2022-)
  3. letter to (one’s) self – text/combination score + tape (2020)

Theatres of Cruelty [2020-] ~ cycle of works for voices

  1. Theatres of Cruelty – for 8 voices (2021-22)
    1. war-crime
    2. phobia
    3. rituals of abuse
  2. the wisdom of crowds – for 3 voices and SATB chorus (2020-22)
  3. separation; the divergence of justice – for vocal trio, interwoven (2021-22)
  4. trapped in a Rothko box for large Mixed Chorus (2021-)
  5. the chambers of the bleeding heart’s mind – for vocal quintet; trio + duo (2021-22)
  6. convulsion of acute trauma – for vocal duo (2022)

If any of the above projects take your fancy, feel free to contact me. The more people I can get involved in my work the better. I’m always looking for musicians and ensembles to collaborate with; this music doesn’t get played unless there are musicians interested!

An score-related inquiries should be done through the Contact form or via social media.

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